// Oprogramowanie Roman Ryltsov
2025-03-25 Update: https://iccapturecodecs.alax.info/ hosts a productized version of the codec, with demonstration/free trial option. Truly advanced industrial cameras by The Imaging Source are provided with image acquisition software, End User Software is a free IC Capture application, which ended up with a few problems to resolve. First of all, “the older” application is a kind…
So, hashtag#DirectShow virtual cameras — those elusive creatures that always turn heads. We’ve chatted about them before on LinkedIn (check out our post here https://lnkd.in/dYte5SQ5). But let’s rewind to 2011 when we decided to play mad scientist. Our mission? Whip up a batch of DirectShow filters that could snag JPEG and M-JPEG video streams from network sources (think IP cameras) and seamlessly slot them into DirectShow applications.
But wait, there’s more! We cranked it up a notch. Picture this: a secret lab, flickering monitors, and a dash of overengineering. Our filters cozied up to the stock Microsoft JPEG decoder — the one that’s been less than stellar since forever. And guess what? We wrapped it all in a nostalgic bow — a wrapper around the ancient VCM JPEG Decoder from 1992 https://lnkd.in/dYRUi84x. Yep, that’s right — the same decoder that predates most of us.
Why, you ask? Because that’s how Microsoft Windows rolls. It clings to legacy features like your favorite worn-out hoodie. The “MJPEG Decompressor” (sounds fancy, right?) is still documented https://lnkd.in/dBZzBbKK as a relic . But honestly, no one should touch it with a ten-foot pole. Not now, not 13 years ago — never.
And here’s the twist: Our Alax.Info IP Video Source DirectShow extension https://lnkd.in/diB_3vBf, born from this wild experiment, lives on. It’s like that quirky friend who insists on wearing mismatched socks. People still use it, still recommend it. Maybe it’s the retro charm or the sheer audacity. Who knows?
So next time you’re streaming video from a network source, tip your hat to those unsung heroes — the DirectShow filters that made it all happen. And raise a banana (yes, a banana) to the MJPEG Decompressor. It’s been around longer than your grandma’s favorite recipe.
There you have it — a tale of tech, tenacity, and a touch of madness. ????????????
A while back, we were working on a media subsystem for The Church of Jesus Christ of Latter-day Saints. They needed software-controlled multimedia playback with specific requirements for their temples worldwide.
Now, the attached image isn’t an exact representation of our work, but it captures the essence: LDS and technology go hand in hand.
Back in the day, we used #DirectShow as our multimedia framework, and boy, did we face some interesting challenges. One that sticks out in memory is related to audio delivery. Picture this: we had a multi-channel audio output card from AudioScience, Inc., and our task was to schedule audio delivery in perfect sync across multiple physical audio connectors. But wait, there’s more! We also had to toggle outputs on and off while others were already belting out sound. And when we turned on a fresh audio stream, it had to seamlessly match the signal already in play. Oh, and don’t forget — the video part of this signal was streaming nonstop and couldn’t be interrupted.
Now, let me tell you, this wasn’t a walk in the park. The multimedia framework was designed back in the ’90s, with the quaint notion that once you set up your playback topology, you couldn’t tweak anything while the show was running.
But guess what? Our software spread its wings and flew to over a hundred locations worldwide. Many moons have passed, but who knows — it might still be chugging along out there.
Microsoft #DirectShow API was introduced long before the widespread adoption of MPEG-4. As MPEG-4 codecs and container formats became standard, DirectShow was, by Microsoft’s own admission, nearing the end of its life.
That’s how this once-popular media framework for Windows found itself without support for MP4 files. Fortunately, there was a handy solution: freely available filters https://gdcl.co.uk/mpeg4/ developed by Geraint Davies. Originally published in 2006, these filters gained popularity over time. Since Geraint had other commitments after the last update, we took the liberty of placing a copy of his work on GitHub https://lnkd.in/dPsZEfpE somewhere around 2015.
Despite the state of DirectShow, these filters still play a role in DirectShow applications. We’ve even made a few updates ourselves — a little bit of everything: a unit test project, some modern C++ and #COM code based on Microsoft WIL https://lnkd.in/de5nxif, a COM type library with an integration interface, and various features. One particularly valuable addition is the ability to recover broken recordings.
You see, sometimes applications crash — whether due to external factors or just plain bad luck. And sometimes the cost of “re-doing things right” is too high. Oh, and the cost of data loss is high too! In such cases, we can salvage the broken recording from the crashed application and recover its content. It’s like a digital rescue mission. And in some instances, it’s even automated — like in our partner’s medical software https://lnkd.in/dCrJJRjy, where multi-hour recordings are the norm these days.
In a recent customer project, we encountered a longstanding problem related to a broadcasted media stream captured by software.
Our customer application, built on the hashtag#DirectShow framework, was responsible for capturing the media stream. The application needed to operate 24/7 and maintain stability during continuous live media broadcasting.
Unfortunately, sporadic crashes occurred due to a third-party DirectShow filter within the topology. This filter triggered memory access violations and crashed the entire application. The vendor of this problematic component was unavailable for maintenance. Given the low incident frequency, the customer was concerned about possible regressions in the case of any update of this part of the application.
The issue manifested only in the production signal, complicating troubleshooting, and the customer’s data center required remote access via VPN and several remote desktops.
To diagnose and solve the problem effectively, we introduced a lightweight DirectShow filter. This custom filter transparently captured a dump of the recently captured MPEG-TS signal, mirroring the data flow to the faulty component. In the production environment, this solution allowed us to analyze the content in sufficient detail to reproduce the problem outside the production setup.
Eventually, we replaced the problematic third-party DirectShow filter with an in-house development that handled that particular processing step reliably and maintainably.
In summary, our custom DirectShow filter provided crucial insights, enabling us to address the issue and enhance stability in the customer’s live media broadcasting application.
For over a decade, we have been supporting a customer’s product in the field of medical video. Our journey began with their attempts of previous years to record from webcams — an endeavor that was initially partially successful. We put our expertise to bring use of this technology to stable level, and since then we have successfully captured countless hours of footage, using both standard cameras and professional-grade hardware.
One particularly intriguing aspect of this evolution stands out.
In the early days, our recordings were typically brief, lasting only a few minutes. Moreover, the original implementation imposed a strict 10-minute limit within the application. Why? Well, at that time, there was no robust video encoder available that could handle the application’s requirements — hardware constraints, desired quality, and real-time performance. Consequently, the signal was often recorded in an uncompressed format. The time limit served a purpose: managing disk usage and preventing accidental overflows.
As the years passed, we transitioned to using proper video encoders for live content. We swiftly expanded our supported resolution to Full HD at 60 frames per second. Hardware-assisted encoding became the norm, and the duration of encoded sessions gradually increased. What started as 10-minute recordings soon extended to 15 minutes, half an hour, and eventually full procedures lasting up to 4 hours. Then came the pivotal question: “Can we record continuously for 24 hours?” The answer was a resounding yes.
Despite its long history, the ongoing support, stable performance, and improvements over time have been well worth the very moderate effort, and yes, it’s still a hashtag#DirectShow app. With a little hashtag#MediaFoundation insertion.
Simultaneously, the need for data safety during recording intensified. Fortunately, we devised a solution, which we’ll delve into further in an upcoming piece.